Mountainside
OCTOBER 30 - DECEMBER 27, 2026
Reception: Saturday, NOV. 1 1-4PM
Artist’s Talk at 2pm
Mountainside
OCTOBER 30 - DECEMBER 27, 2026
Reception: Saturday, NOV. 1 1-4PM
Artist’s Talk at 2pm
Dan Ake LSD Series #6 48th & Moraga photograph, 24 x 36 in. 2014
September 11 - October 18, 2026
Reception: Saturday, Sept. 12 1-4PM
Artists’ Talks at 2pm
Keith Song 040826-64 photograph, 16 × 16 in. w/ mat and frame
Starr Sutherland Ocean Beach - 2.16.26 photograph, 18 x 34 in. 2026
September 11 - October 18, 2026
Reception: Saturday, Sept. 12 1-4pm
Artists’ talks at 2pm
Anne Marguerite Herbst Threshold (detail) oil on canvas, 24 x 30 in. 2016-2026
Connie Harris Cover Up oil & jewels on canvas, 18 x 24 in. 2021
Edward F. Zalko String Theory acrylic on canvas, framed. 41.5 x 31.5 in. 2021
May 1 - June 7, 2026
Reception: Saturday, May 2 1-4pm
Artists’ Talks at 2pm
Liz Mamorsky
March 13 - April 19, 2026
Reception: Saturday, March 14 1-4pm
Artists’ Talks at 2pm
Susan Tuttle
Carolyn Crampton
January 16 - February 22, 2026
Reception Saturday, January 17, 1- 4pm
Artists' Talks at 2pm
Richard Louis Perri Red’s Java House oil on canvas, 30 x 36 in. 1997
Peggy Huff Deep Dive acrylic on wood, 12 x 12 in.
Far Out Gallery (FOG) is honored to have Ed Handelman, Peggy Huff and Richard Louis Perri exhibiting together. They are truly OG’s, also interpreted as Original Gangsters which befits them. The three artists share a similar journey by making their way to San Francisco in the 1970’s, becoming painters, attending the San Francisco Art Institute and living in North Beach among the few remaining bohemians.
Ed Handelman, a nonagenarian, came from Nebraska. After serving in the army, he studied art in Florence, Italy. His sunsets are painted from memory. Farm chemicals mixing with sunlight in rural Nebraska light the sky with a vibrant spectrum of colors. Ed’s figures emerged from his early Abstract Expressionist paintings.
Peggy Huff and Richard Louis Perri, both octogenarians, are from the east coast. Peggy came from Florida. Her current focus is water– its surface and beneath. Peggy is regular pool swimmer, painting floating and moving through water.
Richard is from Long Island, New York. He paints urban and nature landscapes and portraits. Among many San Francisco buildings and landmarks, Richard painted a series of the city’s coffee huts. Red’s Java House is one of them.
These masterful artists are actively creating. They have developed their work throughout their lives into imaginative, bold and opulent art. It’s a triple WOW to see these paintings at FOG.
Ed Handelman #13 Untitled acrylic on wood, 18 x 18 in.
October 31 - November 30, 2025
in tandem with Encore 2025 through Dec. 28
Reception: Saturday, November 8, 12-6 pm
Artist’s Talk at 2pm.
Reception: Saturday, Sept. 20 1-4pm
Artists’ Talks at 2pm.
Leslie Lacko Peacock Presence acrylic on wood panel, 18 in. diameter 2025
Ken Downing Apse, Stained Glass Windows & Catwalks
acrylic on paper mounted on wood frame, 51 x 12.5 in. 2024
Celebrate Our 10 Years with Your Art!
May 2 - June 8, 2025
Reception: Saturday, May 3 1-4pm
Artists’ Talks at 2pm.
Jo Ann Biagini Blue 2 acrylic paint on cyanotype, 11 x 11 in. 2018
Louise Jarmilowicz The Knife Ran Away with the Spoon digital collage with vintage magazine images, 10 x 10 in.
Nathalie Roland Dokkaebi Within: Thwarting the Bad, Helping the Good & General Mischief
woodcut reduction print, image size 16 x 12 in.
Deborah Roxie Reed Courtship acrylic on canvas, 24 x 20 in. 1997 $1500
Brigid Horgan And Then a Hush Fell Over the Crowd acrylic on canvas, 40 x 30 in. 2024
Deborah Corsini On Edge woven tapestry, 14 x 11 in. mounted, 2018 $600
March 14 - April 20, 2025
Reception: Saturday, March 15 1-4pm
Artists’ Talks at 2pm.
January 24 - March 2, 2025
Reception: Saturday, January 25 1-4pm
Artists’ Talks at 2pm.
David Stroud Ocean Beach 1 21 x 26 in. 2020
Jane Ivory By Fernbridge 17 x 22 in. 2024
Beverly Tharp Dive In 20 x 16 in. 2024
Many paintings from Anne Marguerite Herbst’s Lightwaves show will be removed to make room for:
November 8 - December 29, 2024
Reception: Saturday, November 9, 1-4 pm.
Artist’s Talk at 2pm.
Wall Hanging-Ocean Beach oil on canvas, 40 x 30 in. 2024
Natalie Craig Pause mixed media on paper, 22 x 22 in. 2024
Cathy Perillo Night & Day No.2 oil on canvas, 36 x 36 in. 2022
Starr Sutherland Ocean Beach 3-29-23 photograph printed on metal, 15 x 28 in. 2023
September 20 - October 27, 2024
Reception: Saturday, October 5, 1-4 pm.
Artists’ Talks at 2pm.
Reception Saturday, Sept. 14
1-4pm Artist's talk at 2pm.
Five repurposed vintage radios with a diorama embody sound through touch.
The audio sources are reflective of the Far Out Gallery location and include the ocean, birds, foghorns, and Muni tracks. These sounds are translated to vibrations by means of transducers installed in the radios. Olivia Ting grew up in this neighborhood. It’s where she became an artist and discovered sound as her medium despite being deaf.
I was inspired by the story of Helen Keller experiencing the broadcast of a Beethoven symphony performed by the New York Philharmonic with her hands on the radio; it was as if she held the music as a morphing sculpture that spoke to her through touch. As a deaf artist, I am intrigued by sound as energy— the physical repercussions of molecular vibrations and their harmonious metamorphoses. The First Law of Thermodynamics states that energy cannot be created or destroyed, but it can be transformed from one form to another. For me, what came through the radio for Keller was the creative energy of Beethoven, who himself lost his hearing as an adult, making a powerful haptic connection across time and space.
The five haptic radios I built for this series are meant to be touched. The audio sources I chose are reflective of the Far Out Gallery location – the ocean, birds, foghorns, and Muni tracks — and are translated to vibration by means of transducers installed in the radios. The neighborhood is also quite personal to me: growing up here, this is where I became an artist and discovered sound as my medium despite being deaf.
These haptic experiences are interwoven with excerpts of Beethoven’s 6th Symphony, which was, in ways, his lyrical aural portraiture of the countryside where he escaped from the cacophony of city life as his hearing was deteriorating.
This project seeks to paint a cheeky, vibratory, phonic and visual tapestry of the ways how sound infiltrates our senses, memories, and bodies. —Olivia
Olivia Ting Front
Olivia Ting Back
Anne Marguerite Herbst Owlet (detail)
Karen Anderson Mark Aronoff Anahid Arslanian Bob Baker Steve Baldwin Marsha Balian Deb Bates Nikki Behnam Julie Blankenship Jessica Boddorff Michelle Bond Tim Boxell Henry Bridges Adriana Camacho Kit Cameron Sofia Carmi Chai Cecilia Chan Deborah Corsini Natalie Craig Carolyn Crampton Barbara Cromarty Sarah Cruz June Daskalakis Genie Davis Lena Desterro Drissana Devananda Ghilly DeYoung Louise Diskerud Marc Duffett Jessica Dunne Daniele Erville Mary Esther Kenneth Finberg Homer Flynn Stephen Fox Ayelet Gal-On Chris Gatt Richard Goldberg Susana Gómez Mary Gow Nic Griffin Thomasin Grim Carlo Grünfeld Marc Ellen Hamel Connie Harris Diana Hartman Chris Hennessy Anne Marguerite Herbst Roc Hopkins Brigid Horgan Louise Jarmilowicz Samuli Kekki Paul Kensinger Russel Kiehn Evelyne King Krystal Lauk Jessica Levant Beth Levitan Reddy Lieb John Lindsey Kim Long Liz Mamorsky Mary Margaret Evelyn Martinez Jimmy McCullough Michael Meehan Miguette Mochidome Breeze Momar Michelle Mongan Connie Nakamura Norita Jeanette Oliver Victoria Lynn Peterson Margaret Reardon Carol Reed Roxie Reed Henry Ricci Denise Richards Nathalie Roland Ronn Rosen Brenda Salvador Darryl Sapien Joel Schechter Andreas Schmitz Diana Scott Elena Sheehan Diana Shkolntk Manfred Stadel David Stroud Starr Sutherland Simona Szabados Peter Tavasieff Beverly Tharp Olivia Ting Leslie Trook George Ushanoff Kevin Valor Boz Verbrugghe Gregory Vernitsky Chris Wayan Kevin Webster Deidre Weinberg Karen Wenger Chandler White Don Williams Eddie Wolowski Allison Zalko Edward Zalko Scott Zimmerman Elena Zolothitsky
Anne Marguerite Herbst Watching Within oil on canvas, 16 x 20 in. 2005
Delivery begins Friday, June 14th 12 - 6 pm and continues throughout the exhibition.
Deliver only on days open: Thursday-Sunday 12-6pm.
1 submission per artist.
All mediums no larger than 4' x 4'
Delivery by anyone other than Artist will not be accepted.
Art must be ready to hang.
Art will be hung "salon style” as it arrives.
Art must be picked up by Sunday, July 28, 6pm.
Artists can retrieve their work anytime during the exhibition. Arrangements to pick up art must be made if Artist will not be available by closing date.
Reception: Saturday, July 13, 1-6 pm. Artists Talk at 2pm.
Artist may choose to sell or not.
FOG receives 30% of sale.
Print Contract and bring with your art, or fill out a contract when you deliver your art.
Questions? Contact anne@faroutgallery.com
June 14 - July 28, 2024
Reception: Saturday, July 13, 1-6 pm.
Artists’ Talks at 2pm.
In 1924, French poet, Andre Breton, published Manifesto of Surrealism: a treatise denouncing realism and rationality. He believed the "omnipotence of dreams" and exploring the unconscious would liberate humanity. This idea became a revolutionary art movement producing weird, wild and fantastical images. It has been embraced worldwide, in many mediums, ever since.
To view our EXHIBITIONS in 2015 and 2016, click here.